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Posts Tagged ‘Plot (narrative)’

Writer At Work

Traci Kenworth

 

So what do our days really look like? Where do they take us?

Well, for me, it begins after I get the kids off to school. About 7 a.m. if not sooner, I try

to be at my computer. I do the email and boards thing first then settle into whatever project I’m working on at the moment. Most weekend mornings, I try and write for the blogs I’m part of: Totally4YA, the YAFF Muse blog, and my own WordPress one. Once I knock these out of the way, I get down to business with writing.

Now, admittedly, all that “writing” time is not always spent doing so. Sometimes it’s research time. I’ve recently researched ghouls, Native American prophecies, skin-walkers, and Genetic Engineering. Research can take hours or days depending on what you’re looking for. Fascinating things catch your eyes, lead you off on a merry chase to discover more about the subject.

Those mentioned above are in reference to a horror story I’ve been working on initialed, SH. I wanted my creatures to be something different than traditional vampires, werewolves or zombies. So I’ve begun to blend, blend, blend the myth with new twists. I love re-working legends. You can take a creature’s fear of the sunlight and make it into so much more. How they came into being can be twisted to suit your purposes.

I’d say 50% of writing time is done researching for me, that’s how much I want what I’m doing to make sense, explore the impossible. The other half is meant to pull the research, characters, plotline etc. together. It’s hard to explain the “magic” that happens to a non-writer. You simply sit at the keyboard or with a pad and a pencil/pen and “listen” to the characters tell their stories. It doesn’t always happen right away. There are days when you fight to get a sentence out of them, and others when the flow can’t be stopped. But as you progress, you realize that you’ve really got something here: a story others might be interested to read/hear.

And so you keep at it, fighting, pushing, and sometimes shoving toward that ending. Is it difficult? Yes and no. But the joy of the finished product can’t be compared. A lot of people want to write a book someday but the truth is it’s harder than it looks and can take years of practice before you even get noticed. There are no short-cuts, no secret formulas. It’s mostly sit in the chair and work to apply what you’ve learned to what you still are learning. It never becomes stagnant.

A writer’s work like housework is never done. It keeps building into searching for an agent, rewrites, more rewrites, hoping to catch the eye of the elusive editor, rewriting again, and even after the books sees print there’s promotion to be concerned with. In today’s market, the reality is, you have to get out there and run the bases to earn your readers. And once you have them, don’t ever take them for granted. They support us to do what we love to do.

It all begins with that first page and carries on to the last. And then, even before you’re done with one story, you must begin the next. You never want to come out of the gate betting on just one horse. At the moment, while I’m re-writing SH, I’ve got Walking in the background, calling out for its rewrites. And then there’s a new story clamoring for my attention. Like I said, the Muse never sleeps. It may get rusty from time to time but it merely needs recharged. Watching a movie, reading a book, observing life can jog it.

Then the challenge begins again. Can I do it? Will it even see light of day? Sometimes it’s frustrating. The road to publication is paved with rejections but don’t lose heart. You came into this business to tell stories, to share them with others, if you never reach bestsellerdom, that’s okay. You did what was in your heart, touched lives out there, all in all, you did your job. And that’s all anyone can ask. Good luck with your writing.

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To Tattoo Or Not To Tattoo?

Traci Kenworth

No, I’m not in the market for one, but my characters are. I need something different

though. I mean, I know what it looks like, but I’m unsure where to place it. Has the shoulder been done to death in fiction? I can’t say. I just know wherever I place it, has to be a good location for them. You see, they’re a mountain people, hidden away from prying eyes, a culture all their own.

And they fight evil on the sly. Would an all-out shoulder tattoo attract too much attention? I’ve begun to wonder. I’ve thought of further down on the arm or even the leg. The back of the neck? Or across the mid-back. It seems there’s not a place nowadays unique to the art but again, I’m wondering if the placement on the shoulder brings to mind too many other books, movies.

It’s possible, no probable, that most people wouldn’t know what the tattoo stands for if they saw it, so this might not be an issue of visibility. Maybe it’s just that I want something different but it’s a bit of a headache on my part at the moment, trying to figure it all out. I just want my warriors to stand out, I guess. So what are your opinions out there? To the side of the neck? Across the back of their hands? Or are you sick of tattoos all together? Should I banish the idea? I would really like to hear from you.

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Let’s Chat for a Bit

(Revisions, Editing, and All That Good Stuff)

Traci Kenworth

Revisions. A word that leaves a nasty taste in your mouth, but oh, so necessary. Why you

say? Because editing allows us to tenderize the meat so it satisfies the palate. When I write a book, my first draft tends to be a thin shell of what is to come. The important parts are there, but it’s no more than bones waiting for their flesh and blood.

I don’t start editing my story as I go along(some writers do, I know)because I find that it corrupts my vision of the story. I concentrate on getting on paper the plot, the characters, the events even though some of these things might change or be tweaked in the second run-through. During this first draft, I post my chapters for critique by my partners. It’s only AFTER I finish writing the work-in-progress that I go back and incorporate the changes.

Now, that’s not to say, I don’t keep an eye out for what others are saying about the story. I note their comments and continue to move along, always working to better what I have. Then, when all this is finished, I take my critiques and apply them. This is where the real meat is basted. I look hard at my characters, even minor ones, and see if I need to bulk one up, change their personality all together, or even delete them. The plot gets looked at here as well. Does it make sense? How can I improve it? Plot is the key to your success. It flavors everything your book is about. Without plot, you have nothing.

Characters can’t drive a story, no matter how unique. The story has to be ABOUT something. Why should we find it interesting? Who cares what’s happening? Give us someone to root for, for sure but he or she has to have a reason to turn the page. This is where you bring your layers onto the table. Tell us the who, what, why, when. Make us feel the tears, smile at the good tidings, laugh with the jokes, scream at the monster. It’s all up to you how you turn the skewers. Close your eyes and go to your characters’ world if necessary. Imagination takes us a long way.

By the time your second run-through is done, you should have the story in place. Now, comes the chipping away, the perfecting of the sauce. Slowly, tighten the sentences, cut what needs to be cut, add where things need to be made clearer. Get some other eyes on it again. Listen to what your critiquers say. Do you change ALL of it according to what they want? Of course not. If it’s something you feel strongly about, as what’s right to happen in the story, keep it. But DO take it under consideration. Think on it a few days. Determine if they’re right. After all, they’re trying to help you, not destroy the product.

When you’re sure you’ve done everything you possibly can to make it better. Send it to betas. Twist things tighter upon their return. This should savor the meat, make the taste of it something to remember. This is the polish stage. The last perusal of the manuscript before you submit. It shouldn’t be hurried over or dragged out. It’s your story’s time to shine. Follow your gut, chop your darlings, it’s how you end up on an agent or editor’s desk instead of the slushpile.

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